Showing posts with label emotional closeness. Show all posts
Showing posts with label emotional closeness. Show all posts

Saturday, 19 January 2013

Slated by Teri Terry





I so thoroughly enjoyed this book that it is going on to my reading list at the University of Salford, on my module Writing Novels for Young People. One of the hardest things to get right, I tell my students often, is maintaining both pace and emotional closeness. Teri Terry does this superbly in Slated.

In this dystopian near-future young adult novel Terry presents us with a world that is believable and disturbing. Kyla is one of the “slated”. Because of her less than satisfactory past – according to someone’s terms if not her own - she has had her memory wiped in this world where young people are no longer allowed mobile phones. Slating is used on youngsters who have rebelled or look as if they might. All is controlled by the sinister Lorders – dressed in grey and sometimes black.
I so thoroughly enjoyed this book that it is going on to my reading list at the University of Salford, on my module Writing Novels for Young People. One of the hardest things to get right, I tell my students often, is maintaining both pace and emotional closeness. Teri Terry does this superbly in Slated.

The characters in this novel are richly drawn and we feel empathy for Amy, Jazz and Ben as well as Kyla.

We are left with a little of a cliff-hanger. One story is complete but another is wide open and about to begin. I was disappointed when I finished the book, in a good way, because the sequel, Fractured is not out until April. Can’t wait.

Finally my confession. Teri is another SCBWI friend, though I don’t know her as well as Sara Grant I mention below. I heard of the book because of SCBWI but bought it because I was below my quota of YA books at the time and it sounded like my kind of book. So this review is without prejudice. 
But it does say something about SCBWI.   

       
  

Saturday, 25 August 2012

Dark Parties by Sarah Grant


I have a confession to make. Sara and I used to belong to the same critique group. We used to meet once a month in the wonderful back room of the Sherlock Homes Hotel on Baker Street. I am quite familiar with her work and I saw some parts of this novel in very early drafts. I found them interesting then. As I read them now I am captivated.
Dark Parties is a dystopian near-or-distant future young adult novel. It introduces us to a world that is believable but terrifying. We are close to the protagonist, Neva. The characters are richly drawn. The mystery and suspense are held throughout.  
Grant does something here that I am not sure any other writer has yet done as successfully: she maintains a fast pace and yet allows us to be emotionally close to the protagonist. These are both qualities required in the young adult novel, but it is extremely difficult to get both of those characteristics in at the same time.
She includes a third young adult novel trait: she leaves enough questions unanswered at the end to satisfy the young person’s need to control the story. The reader can decide on the answers. It also leaves the way open for another book. I can’t give any details; that would mean creating some spoilers. A total no-no in reviews. I can tell you, however, that she keeps the mystery and intrigue going in every single sentence.